A dropped phone can’t slow me down, well not for long


this isn’t my phone- I didnt have the foresight to take a photo of my spiderweb screen until it was too late

Recently came across the term ‘nomophobia‘ and it couldn’t have entered my vocabulary at a more opportune moment. That feeling when you’ve made it out the door, but something just isn’t quite right. You know you must’ve forgotten something, yet you just can’t put your finger on it. Then suddenly you realise, ‘Where’s my phone?

That’s what nomophobia is: no + mo(bile) + phobia. Fear of not having your mobile phone. Some of you are predictably thinking,  ‘Has it really come to this?‘ The easy answer is yes. Yes, it has.

On that note, I have a story for you. For quite a few, it won’t sound like all that big a deal. I’m already predicting rolling of the eyes and poorly stifled sighs. Say what you want, for me it was a horror story. One moment everything was fine. It was a beautiful sunny day in Bavaria, and I was walking through the streets with a spring in my step.

Somehow it was almost cinematic the way it unfolded. Wish I could say a black cloud darkened the sky or a menacing bird entered the frame, but in reality there was nothing that could have foretold what would happen next. Instead it was a film in which the absence of trouble made you all the more uncomfortable.

Now that I look back on it, I can say something was definitely about to happen, but that’s unquestionably a matter of seeing it in retrospect. Instead, it came out of nowhere. One minute I had my phone in my hand, and suddenly time slowed to a crawl. As if a scene that could only have been created with CGI effects, I could see my phone with its pristine screen fly out of my hands and take on a life of its own.

Through the air it flew, the music swelled to a crescendo and then BAM. It slammed to the ground and right at that moment time returned to normal. The screen was covered in a spiderweb of cracked glass. There was no amount of wishing that was going to turn time back and make this one right again. If it was a car, you’d say it was totalled. The screen, at least. The phone itself seemed fine.

Luckily, there’s a place in downtown Munich that replaces phone screens while you wait. Yet that’s where the second part of the horror story comes in. The woman at the shop said I’d have to be without my phone for an hour and a half. No sweat, right? Easier said than done.
Another exercise in the fluidity of time occurred at this point. I stumbled out into the late afternoon sunlight and looked ahead at the vast expanse of time in which I’d have to interact with the world in analog. Just me and the street and all its goings on. I had a camera in my bag, but what use was that to me if I couldn’t immediately share the photo on just one of a variety of platforms? Wish I could say that was a rhetorical question, but it was a genuine conundrum in that moment.

Self reflective, I could certainly chuckle at myself and think back to a time when most of us weren’t carrying mini computers in our pockets. As easily as I could laugh at myself, it was still quite an uncomfortable position to be in. The hands on the clock of the Neues Rathaus (New Town Hall) at the Marienplatz were barely moving as the tourists stared up oblivious to my plight.

It’d been only ten minutes since I’d left the repair shop, but I was tempted to ask a Japanese woman with a selfie stick if I could commandeer her phone for a few moments. This was ridiculous. Calmly, I took a few deep breaths and reminded myself that I could get through this.

Remembering countless inspirational talks about the reframing of a seemingly overwhelming situation, I resolved to see this as a unique opportunity. Free of my shackles, from this new perspective I could savour a newfound independence. For a little more than an hour, my time was all mine. No one could interrupt my thoughts or demand my time.

All of a sudden, I was like one of those ‘simplify your life‘ articles in which my existence was magically transformed by simply eschewing some form of technology that made the rest of us slaves to the machine. Looking ahead, I imagined writing this text about the myriad inspirations and epiphanies I would encounter in this new caveman life in which I was immersed.

I wish I could say that my visions sped up time or made all of it more bearable. Sadly, it wasn’t the case. Some time in a nice café with a copy of the local paper, which kept me wonderful company, was my saving grace. Oh, and the last thing I did before relinquishing my mobile to the screen doctors who calmed me by assuring they’d ‘make it all better’ was to text a friend where I was going to be for the next hour or so.

She met me there, I set the paper down, we looked into each other’s eyes like people in old movies used to do and then we had a conversation. Just like that. It was pure decadence.

This isn’t a horror story, after all. Got the phone back, of course, and sent a few messages assuring folk that I was still among the living. Happy ending, right? Well, more than you might think. A few times since then, I’ve just left the phone at home.

Can’t you just see me? Walking in the park with the dogs? Like a genuine person. Somehow I think the Information Superhighway will survive me taking the off ramp more regularly. Believe it or not, I can’t wait.

Up in the night staring at the full moon and pondering the melting snow and an Imaginarium


What’s an Imaginarium anyway?

Suppose I could blame the full moon. Or the pots full of tea I drank before I should’ve gone to bed. Maybe even the fistfuls of chocolate I was shoving in my gob at some point hours ago.

Yet whatever the reason, here I am up in the night not even trying to fall asleep. It’s even past the Witching Hour, whatever that is.

Friends in Australia were just waking up as I sat down and started writing earlier in the evening. They kept me company virtually as I shot off an email to a list of my regular readers, and for the most part they went about their day. A few night owls here in my timezone were up in the night with me, but I’m assuming all of them went off to dreamland long ago.

There are still plenty of my people stateside who’re still awake and have taken turns chatting away while they go about their Saturday evening. Some on the East Coast are holed up for this year’s annual Blizzard of the Century, while others strewn across other parts of the America look on smugly at how mild winter is for them…at least in comparison.

I’m staring at the moon and enjoying the sleepiness that’s finally creeping upon me. There are so many old photos saved on my hard drive that I could easily go through the archives and find plenty of visual content with having to produce anything new for a good long while.

That’s how this blogpost started, incidentally. Not that it’s such surprise, is it? Start with a photo and see where your thoughts take you. There are certainly more creative ways to come up with content. However, for this early morning with an evening of reflection already behind me – this is how it has to be.

Yes, this’ll have to do.


Happy Eleventh Birthday Ella and Louis…there’s a celebratory Schweinsohr in it for you

Eleventh Birthday of Ella and Louis.JPG

Is this really what eleven looks like?

Well aware that this isn’t the best photo I have of Ella and Louis, I’m  bit pressed for time. See, it’s their birthday and I’ve been rattling on about these exquisite hounds via social media and responding to queries about them from people who haven’t been following them for years. Which is hard to believe if you think about it.

Numerous people have told me they started reading my stuff only after getting pulled in by images of those two red dogs.

If I wrote a blogpost about them every time they touched my heart, this would be a blog devoted entirely to the smart one and her less than bright brother. That’s all I’d talk about, and there could even be a number of you who’d prefer that anyway.

Here’s the thing, though: how do you get across just how important these two are to me? How might I adequately express why I get choked up at the thought of anything happening to either one of them? The people who are already nuts about dogs already get it. I could write this for them, and they’d nod their heads and insist this is a perfectly reasonable passion for nonhuman beings.

That’s too easy for the likes of me. Instead, I’d love to find the right words to even win over those who shake their heads and say, ‘Why would anyone devote so much time and attention to such creatures? It’s just a dog, after all.

Just a dog? I know. Why would I want to reach such a person in the first place? Good point. I often say to myself that these two give so much more than they take. Once again, that’s only going to make sense to the already converted. Preaching to the proverbial choir, as it were.

I even want to persuade cat people about these two. I know, I’m mad. Truly off my rocker.

So, Ella’s sitting behind me as I sit at my desk writing about them, and she just gave me a look that said, ‘You see the irony of blathering on about how much you love us, but here we are NOT GOING OUTSIDE, which is all we really want. You do see that, right?

Yes, Ella. I get it. It’s time to go out. Has been for a while.

For those of you who see a photo of Ella and Louis and insist that you want MOAR photos in addition to the one I just shared, today’s for you too. I’ll stumble over to other platforms and do some unrepentant spreading of the canine adoration.

Happy Eleventh Birthday, you two. There’s a celebratory Schweinsohr in it for you.

My tail is wagging as I bound through the undergrowth


the leaves are beckoning

The sky seems to have moved in closer, and the day slams shut so much earlier. Knowing that sundown is creeping towards us makes me want to pack as much into those depleting moments of sunlight. 

The leaves that are left are somehow racing to the ground now – they pile up and make their annual bed. I kick them relentlessly and swear to myself that I’ve never enjoyed autumn as much as I have this time around. If I allowed myself, I’d just hold my photo-taking devices out in front of me the entire time I was out there. As if it were my first digital camera. Or even more preposterous: as if I’d never before seen the these changes of seasons. 

On these days, I’m like one of my dogs when it comes to going outside. I imagine the keys rattle and remember I promised myself a walk. I accompany me down the stairs and out into the crisp air and say repeatedly, ‘No need to take a photo of every single thing. You’ve captured that exact shot again and again and again.

Most of the time I can keep walking and stay focused on the moment. Most of the time. 

In German this season is called Herbst, which is a fine word. It rhymes with ‘flair‘ or ‘stare‘, which seems entirely fitting from my vantage point. So often I hear people whinging about the passing of warmer weather. Remembering how rainy fall days can be, they simultaneously dread the long cold days of winter. 

While I can intellectually comprehend what they’re talking about, I feel increasingly foreign in their company. I see the words form on their lips, but my thoughts are meandering outside into the already decaying foliage. My tail is wagging as I bound through the undergrowth. 

give us a scent that is a perfect anodyne to the restless spirit


Is not this a true autumn day? Just the still melancholy that I love – that makes life and nature harmonise. The birds are consulting about their migrations, the trees are putting on the hectic or the pallid hues of decay, and begin to strew the ground, that one’s very footsteps may not disturb the repose of earth and air, while they give us a scent that is a perfect anodyne to the restless spirit. Delicious autumn! My very soul is wedded to it, and if I were a bird I would fly about the earth seeking the successive autumns.

[Letter to Miss Eliot, Oct. 1, 1841]

George Eliot

This text was shared with me by one of my favourite people, who I only know via social media. She knows I adore autumn, and sent this excerpt of a letter along to me. Thanks Shirley!

I used to go into bookstores demanding to know why George Eliot wasn’t shelved in the Women’s Writers section – luckily, I think having such a section in a bookstore was a trend that came & went years ago. Now her & other women’s literature is thankfully shelved with everyone else’s. 

It’s a bit odd that the above-mentioned letter is known to have been written to Eliot, but the author of the letter was curiously left out. It’s a fantastic text, though. That someone thought of me when she read that means I must be doing something right.  

How did the American get on the roof of the toilet?


one of our local papers this morning

This blog has been only about refugees lately, and as much as I’m still obsessed with the topic (more on that another time), there’s so much else going on. Other things need to be dealt with. And quickly. 

For example: people climbing objects in public & standing on said objects. Like in the photo above. 

The headline reads: ‘How did the American get on the roof of the toilet?

My strong suspicion is that he climbed up there. The question they probably wanted to ask was: What on earth was he thinking when he decided to scale the toilet inside the tent at the Oktoberfest? Why indeed. 

Good question. 

It is the Oktoberfest. There are plenty of similar stories during these two weeks. 

The curious thing is this isn’t the only instance of something like this happening these days. Not just in Munich & not just during this exceptional time of year.

While scrolling through my feed on a social media site, which I choose not to mention by name, I saw a photo of a rather curvaceous woman naked from the waist down standing on a pay phone with multiple police officers below apparently trying to coax her to come down. 

Despite the outlandishness of the visual, my immediate reaction was, ‘Where did they find a pay phone? I’ve not seen one of those in ages.

Once I got over that shock, I could move on to the more pressing question. Specifically, why are people climbing atop such objects?

Is this part of the Zeitgeist & I missed the memo? Should I be climbing on things & belligerently refusing to come down? That’d certainly make this blog more entertaining at the very least. 

I’m not going to include the image here of the woman I’ve mentioned. Nevertheless, I’m confident if you type ‘naked woman on top of pay phone‘, you’ll locate it rather easily. But you should probably do that soon. My suspicion is the web is going to be flooded with this stuff before you know it. 

Oliver Sacks has died and I can’t get Rilke’s Der Panther out of my head


Sein Blick ist vom Vorübergehn der Stäbe
so müd geworden, daß er nichts mehr hält.
Ihm ist, als ob es tausend Stäbe gäbe
und hinter tausend Stäben keine Welt.

Der weiche Gang geschmeidig starker Schritte,
der sich im allerkleinsten Kreise dreht,
ist wie ein Tanz von Kraft um eine Mitte,
in der betäubt ein großer Wille steht.

Nur manchmal schiebt der Vorhang der Pupille
sich lautlos auf –. Dann geht ein Bild hinein,
geht durch der Glieder angespannte Stille –
und hört im Herzen auf zu sein.’

I can’t help it. Oliver Sacks is dead, and there are a myriad of thoughts shooting through my brain. I want to write about all of them.

Actually, I’d rather brew a pot of coffee and settle in to watch each of said thoughts explode into the room. The same way I did with a percussionist friend I knew in college who turned me on to a particular man who mistook his wife for a hat. That’s not even the best Oliver Sacks connection – just the first one I knew.

Later I read his ponderings on music and the ways it impacts our brains – fascinating stuff. Stuff with which to brew another pot of coffee, I assure you.

I’ve read so many obituaries and essays today about how important he was to this or that writer or thinker or scientist, and I want to link to every last one of them. I wish I could take you on a tour through my obsessive day of Oliver Sacks devotion, but I’m afraid it wouldn’t do his memory justice. Having said that, I think he might’ve moderately appreciated the attempt to tie in all these disparate ideas that’re still overloading my brain.

Instead, I’m just going to get a tad bit obsessive about Der Panther, which is the German poem I’ve included above. Although I was well aware of his poetry before I saw the film Awakenings, Rilke’s words grabbed me and shook me out of a weird slumber. In the hands of Robin Williams’ character, I was thoroughly jostled by the image of the big cat pacing back and forth in his cramped cage.

This isn’t normally a place where I allow myself to analyse poetry, so I’m loath to go down that road. Although it’s tempting, I’m more inclined to provide a few links and let you go there if you’re so inclined.

First of all, quite an impressive selection of translations can be found at Alternate Translations of The Panther by Rainer Maria Rilke, and if you’d rather have a ‘Best Of’, here’s Der Panther: Six Ways of Looking at a German Poem. There’s a nice article by John Banville in The New York Review of Books called Study The Panther!

As he says there, ‘…Rilke had no illusions about the solitariness of the artistic project, or its difficulty…‘, and that’s where my thoughts finally settle in the darkest corner of the night as I continue to consider Oliver Sacks.

I could wax philosophic about how he faced his death and expressed himself so exquisitely in the process. Were I to do so, I’d certainly focus on that last stanza and how he recently announced his illness so publicly and fearlessly. Instead, I’ll just wrap this up with the Stephen Mitchell translation of the poem:

‘His vision, from the constantly passing bars,
has grown so weary that it cannot hold anything else. 
It seems to him there are a thousand bars;
and behind the bars, no world.

As he paces in cramped circles, over and over,
the movement of his powerful soft strides 
is like a ritual dance around a center
in which a mighty will stands paralyzed.

Only at times, the curtain of the pupils lifts, quietly–. 
An image enters in, 
rushes down through the tensed, arrested muscles,
plunges into the heart and is gone.’