Jarrod’s not playing, so it might be weird to keep calling it Old Braunfels. Who knows, though. It’s a good name for a band in Munich, whose members predominantly come from Texas.
However, we’ve got something else going on and Vancouver Michael will most likely have a considerable impact. Nina Kuhlig, who you might remember from the Blue February show two years ago will sing some originals, as well as one or two classics.
Have you ever noticed that the best songs tend to be sad and full of human suffering? We’ve noticed it, as well. We LURVE those songs.
The evening will be chock full of melancholic love songs. We’d love to have a place for lonely Valentine’s to congregate and revel in their plight.
We might even be able to entice Carlos Köhler, who was with us a few years back, to bring his bass up on stage and play with us. He’s one of the best local bass players I know, so it’d be a treat. We’ll see.
You want to see it, leave a comment below with your email and we’ll put you on the mailing list. Check it out!
Well, we seem to have our best gigs in summer, and this year’s no exception.
Jarrod moved away and then moved back home over the course of this most recent trip round the sun, and we’ve even reconnected with former (& hopefully future) fiddle player & singer Violeta, who’d moved to Chile.
Now she’s back in Germany, albeit up in Cologne, but you won’t believe our luck…
This Friday evening we’re playing a show at a local school, and Violeta is sitting in with us. That’s right. Like old times for Old Braunfels.
Then we’re playing in the afternoon on Saturday 8 July at the Straßenfest in Türkenstrasse before we have a private party to play up in Ingolstadt.
It’s going to be a weekend of good times with old friends and the soundtrack for all of it?
Well, hereabouts it’s going to be played by Old Braunfels. Hope to see you there.
In the coming months, I’ll be pimping this blog and sending my astounding levels of traffic toward a couple of the projects I’m working on these days.
Some of these projects are new, but most are the latest instalments of continuing collaborations. One of the nearest and dear to me is the one I’ve been working on pretty regularly with ol’ snaggletoothed Jarrod Shepherd.
It should be mentioned if you click on the SoundCloud graphic down below, you can hear a bunch of our repertoire. On some of the songs, you’ll also hear Javi ‘Hansfry’. He’s a Spanish Per Anhalter, which is the German word for hitchhiker.
Oh, and if you actually make it out one night to hear Old Braunfels, there’ll likely be some other musicians sitting in. We’ve been playing with a brand new guitarist this year, and there was even a percussionist sitting in on one of our shows in the waning days of summer.
We’ve got some shows in the coming months and even more in the New Year. Come out and hear some country-fried Americana. Tell ’em Bernie Sanders sent you – you might get a discount at the door.
Played a private party on the Isar this evening, and it really was quite enjoyable. Relaxed and a bit languid, even. I told Jarrod that I used to play gigs in a tuxedo and this was much more fulfilling. Wouldn’t go back to that earlier life as a musician for anything. Not that anyone misses me in the classical music world. There are plenty of people willing to do that sort of thing – I’m just glad I’m no longer one of them.
You might be wondering what we played, so I’ll list a few of the songs here. We normally play a lot of originals when people want to hear our tunes, but this sort of event is normally all covers. I have a weird history with covers. I like the lesser-known songs of many artists, so if you ask me to play Harry Chapin‘s Cats in the Cradle, I’m more likely to pull out Danceband on the Titanic or A Better Place to Be instead.
My friend Dermot came by to listen, so we did a few Dylan songs for him. Both I’ll Be ‘Your Baby Tonight and Just Like a Woman. My compadre on twitter @Hazelblackberry would’ve approved. She likes Bobby Zimmerman.
We did If You Needed Me by Townes Van Zandt and Jarrod likes playing Whiskey in a Jar, so we did that. I’m sure Townes would’ve approved. Maybe not the song but the sentiment, I’m sure. Alan Parsons Project‘s Eye in the Sky and Daniel Lanois‘ Where Will I Be, which are two of my favourite songs.
Rain by the Beatles and Rod Stewart‘s Maggie May. I know that was a huge hit for him and I just said that we avoid the better-known cover songs, but by then we were just trying to play anything that people might recognize and enjoy. They were a tough crowd. Very cool and reserved until near the end. Jarrod played REM‘s You Are the Everything from the Green album.
We’ve been doing Friend of the Devil (music by Jerry Garcia and John Dawson & lyrics by Robert Hunter) since we were playing guitar and bass (before the ukulele obsession), so we did that and later we closed the evening out with Brokedown Palace. It was the perfect ending to a party on the bank of the river. Look up the lyrics. They’re beautiful.
At some point, I’ll upload a recording of Idleright. It’s the least I can do.
We’ve been playing together for a little more than a year, Jarrod and I…parties and other informal events. Several times at the International Songwriters Evening Munich, which has been a pleasure. Nevertheless, we have plenty of other things going on, so we haven’t bothered coming up with a name. We play our own tunes, as well as relatively unknown covers (the more obscure the better).
But all this is about to change. Not dramatically. Not quickly. But change it must. Despite all the evidence to the contrary, we’re not partial to entropy. We’re playing at Corso Leopold, which is a festival that takes place in the middle of one of Munich’s biggest streets (Leopold Straße). They block it off – it’s not like we’ll be sitting there while traffic whooshes by – and the festivaling commences.
The website is pretty straightforward if you’re accustomed to German. However, if you try using your google-fu and translate it unsupervised, you might encounter a bit of whimsy. Would you like to see a bit of that? Of course you would:
‘When taken to the streets of Munich, he has a lot to see. But nowhere will open his urban diversity so boisterous, as colorful and surprising as to unsrem (our) large hard-Schwabing. On the Corso Leopold is enjoying the big city, slightly self-indulgent as it is now time, as great in front of a mirror.’
Is someone being taken to Munich against his will? That sounds ominous.Schwabing is one of the more popular neighbourhoods in the northern central part of Munich, but I’d describe it as neither large nor hard. Is it in fact ‘now time‘? Really? I suppose that is a bit self-indulgent. And then the announcement goes on:
‘Amazed, because we are immodest, pushes himself as the crowd in front of the attractions. Come on, there’s something for everyone. Culture for everyone. It works! is the motto. And linger, enjoy life. Corso’s is on the event.’
Are we immodest? Merriam-Webster tells me that this means: ‘not conforming to the sexual mores of a particular time or place‘. Are we really all of that? Well, ok. As it’s written, let’s push ourselves as the crowd. According to this translation ‘It works!‘ is the motto. I can think of poorer mottos. As they say, ‘It works!‘
So, you’ve been informed: we’re playing at the Corso Leopold. To be more specific, we’re playing at the ‘Theater der Flaneure’ on Sunday 10 June 2012 sometime between 17 and 18 o’clock (according to the map provided, it’s near the Gisela Straße U-Bahn stop). The only thing that’s missing at this point is that we need a name. We’ve been talking quite a bit lately about idling, and our newfound obsession with the ukulele seems to go well with said idling. So the name we’ve come up with is:
If you can’t make it, I’m hoping we’ll have some footage I can link to later. Oh, and this is the first time we’re playing ‘Mustard and a Piece of Bread‘ live in front of other people. That’s exciting.